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Monday, May 5th 2014
Posted Mon May 5 2014 07:51
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A couple nights ago the official White House twitter feed sent out this picture. They did so after sending another tweet explaining that the President had just begun speaking at the White House Correspondent's Dinner. Yesterday I saw the picture - but not the tweet which preceded it - and wondered how on earth the White House could think it was funny.

After a bit of research, I learned that the President had used this picture at the WHCD as the punch line for one of his jokes: "Anyway, this year, I've promised to use more executive actions to get things done without Congress. My critics call this the 'imperial presidency.' The truth is, I just show up every day in my office and do my job. I've got a picture of this I think."

I'm a big Game of Thrones fan - but I haven't yet read the books. I'm invested now in the on-screen characters and won't read the books until the series is over. I don't want to know what's coming.

Hereditary rule as the basis for a system of government is a given in the Game of Thrones universe. It's fun to watch the all the intrigue and deception that surround this "game" - a soap opera with blood and gore and dragons and white walkers and nudity. But nobody votes for the man sitting on the Iron Throne. And the various House leaders are accountable to no one except the people who want them dead for the thing they did to the guy at the place - the "thing", "guy", and "place" are, of course, different for each character.

Given that I don't know what's coming, it's quite possible I'll be forced to retract this statement at some point in the future: Daenerys Targaryen appears to be emerging as the exception to this rule. Initially acting on the same hereditary claim to the throne her brother pursued prior to his death, she now roams the desert, dragons in tow, freeing slaves and making statements like this: "I do not bring commands. I bring you a choice."

What a radical, classically liberal thought.

Freedom has been the theme of many an Oscar-winning Hollywood movie. Mel Gibson screams the word as he's being disemboweled at the end of Braveheart. Russell Crowe's dying words in Gladiator announce that the government in Rome will be returned to the people. Motion pictures need an antagonist, and often that antagonist is a repressive government.

This should create a quandary for the left. Of course bad dictators are bad. But what about enlightened, benevolent ones?

The latter type get to do all sorts of progressive things by fiat. They can declare the debate to be over and mean it - if they allow any debate at all. They don't have to worry about silly things like freedoms. People are essentially stupid, they say, and must defer to their bettors.

Each of the Game of Thrones characters subscribe to this idea to some degree. The accident of your birth determines your lot in life. Even if you have exceptional virtue, honor, integrity, or strength your station in life will never fundamentally change.

This is the idea that the Declaration of Independence turned on its head. Rights are not conferred upon the masses by a sovereign - all people are created equal and endowed with certain unalienable rights.

Of course this doesn't lend itself to a compelling dramatic storyline (think the first half hour of Star Wars: The Phantom Menace). It also doesn't lend itself to government "getting things done."

Which brings me back to the White House's tweet. I suspect that the number of people in the White House and at the WHCD who looked at that picture and thought "If only..." is rather large. Tom Friedman remarked several years ago that he wishes we could be "China for a day." Dictators don't have to sell or defend their policy solutions. They don't have to argue with people shouting "freedom." They're able to force us to do the "right" thing regardless of whether or not we agree or the Constitution allows it.

The President's critics, Senator Ted Cruz foremost among them, have called him an imperial President. But here is the crux of Senator Cruz's argument: "But this should not be a partisan issue. In time, the country will have another president from another party. For all those who are silent now: What would they think of a Republican president who announced that he was going to ignore the law, or unilaterally change the law?"

A good example is Obamacare - after dozens of 'enforcement' decisions by the Executive Branch, what's stopping a Republican President in 2016 from declining to enforce the entirety of the ACA?

If all this is making national politics feel like a Game of Thrones episode, it means we've already centralized too much power into the hands of the people in Washington.

Where is our Daenerys?

I want choices, not commands.

Saturday, May 3rd 2014
This may be the next to, next to, next to last time we draw a line in the sand. Do they have sand in the Ukraine?
Posted Sat May 3 2014 13:51
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Harsh new sanctions were alluded to at a White House Press Conference. The State Department says these potential sanctions may be a direct response to the tense situation created by Russia's President Vladimir Putin's massing of troops near a Ukrainian boarder, Mrs. Eketerina Kurylenko.

Mrs. Kurylenko's third floor flat has a magnificent and unobstructed view of traditionally Russian-held territory, particularly of the revered Tree of Comradery when the sun's rays are no longer obstructed by the Crag of Solitude on June 15th. Putin has said this is "intolerable" except that he said it in Russian, however we lack the proper fonts to reflect that.

The sanctions very well could include possible immediate cessation of gluten-free Russian tea cakes at White House fundraisers designed to fatten the already obese mid-term election war chest. Press Secretary Jay Carney did admit, under moderate grilling from a Food Channel reporter with a fine array of seasonings the President is known to favor, that the First Lady was not troubled by an obese mid-term war chest, per se, however, she found the withdrawal of gluten-free tea cakes disconcerting since many of their most reliable donors are gluten intolerant.

There has been no word of Moscow's reaction to the possibility of maybe facing sanctions. But Carney could not definitively rule out they had not received a response from the Kremlin. Unfortunately, the White House translator had left earlier in the day to pick up some humus and pita chips for the traditional Cinco De Mayo party later in the evening and anything coming in over the wireless sounded like just so much "jibber, jabber."

Carney narrowly averted an awkward situation when 9-year-old ace reporter Little Bobby Billingsley of KATN (Kids Action Team Now), speculated that the real crisis involved Russian troops massing on "the border," not "a boarder." Carney deftly diffused the question, saying, "Hey kid, don't make me give you a time out."
Posted Sat May 3 2014 12:45
Book two in the Pixie for Hire series, Trickster Noir picks up where Pixie Noir ended. Lom, the little pixie with the tough-guy mentality, has proposed to Bella. All should be well, but their happily-ever-after is in grave danger. Threats from both Underhill and the human realms are closing in on them, and the fairy princess raised Alaskan redneck has to learn on the job, and fast!

Author bio for Cedar Sanderson: "I've been called a renaissance woman, which I find flattering, but I will only accept the idea that I am such, in training. I'm half-way through a degree in microbiology, just getting to the interesting bits. I'm finally going to be a scientist, which I have wanted since I was a little girl, for my second career, and a writer, for my third career. After that, I shall be the little old lady who alarms my family with never knowing what I will get up to next.

I grew up the military brat traveling a lot until Dad got out and we settled in Alaska, so I have been places. And I did learn to hunt, fish, trap, garden, forage wild edibles, prospect for gold and gems, survive in the wilderness, camp, can, butcher, cook, bake, paint, research, and blow stuff up along the way. I blew up a cave full of ogres just last week (on paper, don't worry)! After Alaska, which left an indelible mark on me (only some of it from frostbite) I spent my adult life in New Hampshire, before moving to Ohio. I'm not done traveling yet, I still have much to learn, and miles to go."
Wherein I review Cedar Sanderson's novel, Trickster Noir
Posted Sat May 3 2014 01:21
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(I got ahold of a pre-release copy of Trickster Noir that I used to create this review.)

There was a TV show called Mannix that I used to watch long ago. The hero was a private eye. It seemed like every week he'd get in a scrape, there'd be a lot of tough-guy action, and as often as not someone would put lead in him.

But he would tough it out and solve the crime or whatever. Then he would retire to his sickbed to recover in time for next week's adventure.

If you haven't read Pixie Noir, I will try not to spoil it more than to say the hero doesn't die at the end, but he does get hurt.

Unlike Joe Mannix, Lom, the pixie bounty hunter, doesn't get all better before the next episode starts. That episode is Trickster Noir.

There's some cleaning up to do of messes left over from Pixie Noir. First, there's a nest of ogres who need to get hunted down. Happily, there's a friendly bigfoot who doesn't want the attention the ogres are attracting. And then there's Bella's friends and family who are pretty good with guns and bomb-making. The ogres don't stand a chance.


That gives Lom time to heal before getting on with the main business of the novel. If you know anything about American Indian lore, you may have heard of the Raven spirit. Seems he's got a problem and can't or won't go to Siberia to solve it himself.

And the Fairy court has a similar mission in Japan. Lom and Bella figure they can kill two birds with one stone if they combine both missions.

Of course, they need a decent cover story to explain to all the gossips why they're heading to the other side of the world. And they oblige by providing not one, but two weddings.

Ms. Sanderson may be a bit too anxious to depict the chastity of her protagonists. And a bit too elaborate in the wedding planning. Maybe this is because I'm male and leave wedding planning to the fairer sex. I appreciate the fact that Bella and Lom wait until their union has been solemnized in a manner appropriate to their respective cultures before they consummate their relationship.

One of the things I intimated, but did not state overtly here is that I think sexual congress belongs within the context of monogamous marriage. Stories that show 007 jumping from bed to bed should also show his inability to make a permanent connection with anyone. I believe it is untrue to depict sexual promiscuity seamlessly settling into happily ever after without significant negative consequences.

But that's just my opinion and I've no desire to make you feel bad if you do not share it.

Ms. Sanderson does not preach at this point, but she does belabor the good example of Lom and Bella enough to notice. And when folks notice they get the idea you might be preaching.


There's been a recent flap wherein Social Justice Warriors have insisted that story be sacrificed on the altar of The Message. They insist that you have just the right number of transgendered third-world bohemian have-nots depicted in a caring and sympathetic fashion. Frankly, this is a demand that writing become preaching.

Preaching is just as annoying when it is anti-Christian as when it is pro-Christian. If you absolutely must put a Message into your writing. Then encode it in the first letters of each sentence where it won't club the reader over the head with the subtlety of an Eskimo dispatching a baby seal.

Happily, you'll find no such clubbing in Trickster Noir. It is as much fun as Pixie Noir. A lot of questions about Ms. Sanderson's world-building are nicely answered. And as many backstory questions are left unanswered. What exactly did Lom do to get on the wrong side of the law? And what unhappy fate befell his first wife? I guess we'll just have to wait until Ms. Sanderson's next "Noir" novel.

Five stars.
Friday, May 2nd 2014
Posted Fri May 2 2014 15:46
Member of popular Christian band Jars of Clay "comes out" in support of gay marriage in a series of tweets.
Thursday, May 1st 2014
Posted Thu May 1 2014 15:07
Gotsome good pressover at Breitbart!
Wednesday, April 30th 2014
Posted Wed Apr 30 2014 21:54
An update on the situation with Larry Correia and the Hugo backlash.
Something big is happening at Liberty Island
Posted Wed Apr 30 2014 20:43
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What a riot, to have my preferences, views, and opinions profiled earlier this week at PJMedia. I included a comment that Liberty Island authors may be forming a school of Gargantuan writing and, since then, the phone's been ringing off the hook--literally, as our VP would say--with people needing to know what I meant by that.

Rabelais records that Gargantua gestated for 11 months and was finally delivered after his mother overindulged on tainted tripe. His father was drinking and joking when "he heard the horrible cry made by his son when he entered the world, and bawled out for 'Drink! Drink! Drink!'" The father replied, "What a big one you've got!'"--ostensibly referring to Gargantua's appetite for fluid nourishment. So they named him "Gargantua" because it sounds like his father's first words, in French: "Que grand tu as."

Many callers were also shocked that I said Gargantuan writing is in opposition to the style practiced at The New Yorker. If you've ever spent too much time in a doctor's waiting room, you know that NYer fiction hews to the minimalist end of the spectrum. It tends toward introspection, delicacy, and ambiguity; in contrast, Gargantuan writing is loud, brash, and visceral.

Almost at random, I found a perfect example: Compare Steve Poling's "Southern Fried Cthulhu" with a NYer piece called "Pending Vegan" by genius-grantee Jonathan Lethem.

"Pending Vegan" recounts the shame and horror experienced by Paul Espeseth when he has to accompany his wife and young daughters to SeaWorld. For Espeseth, the commercial environment including souvenirs and inspirational music is painful. Just looking at flamingoes is "like a casual round of cigarette burns to the rib cage, preceding a waterboarding."

The narrative follows Espeseth's train of thought at length. He sees military people, "soldiers," with their "unfamiliar" children and "neglected" wives, and notes that "it was as if various civilian bodies had all been poured into the same unforgiving mold." The end point of Espeseth's train of thought--I won't say it's the point of the story, because I'm not sure there is one--is that he thinks he really ought to become a vegan.

"Southern Fried Cthulhu" is 180 degrees different. This is a world where things happen. Instead of sitting on their duffs getting bummed out by performing orcas, the people in Poling's tale are dealing with the equivalent of Leviathan from the Book of Job. With their town invaded, character is revealed through people's actions in response to crisis.

It's a clever bunch of rednecks, who are able to put the tools of their trade--duct tape, moonshine, chainsaws--to unexpected uses. Poling does not resort to stereotypes when talking about the military and does not judge based on body type: "He'd been in the Army and saw some heavy weather overseas that he never talked about. Will's a big guy who you'd think was fat if you didn't know better."

And he's also open-minded about people's diets. Like Rabelais' tripe and sausage eaters, you could say that the characters in "Southern Fried Cthulhu" are enthusiastically omnivorous.

By coincidence, similar themes are apparent in several tales currently up at Liberty Island: "On the Trail of the Loathsome Swine," by Mike Baron; "The Son of San Idro" by Keith Korman; "Sacred Cows" by Ken Lizzi; and my own "Better Than Fresh Apricots."

If you like stories with characters who aren't afraid to act in the eat-or-be-eaten world--which still exists, by the way--then Liberty Island's the place for you.






At this point, you should always expect the Leftist Inquisition.
Posted Wed Apr 30 2014 19:13
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In light of recent politicultural purges, author Vox Day has posted a helpful guide to surviving leftoid witch hunts. A sample:
2. Don't think that you can reason your way out of it. Most people have the causality backwards. They think the purge is taking place due to whatever it is that they did or said. That's not the case. It is taking place because of who you are and what you represent to them. The truth is that the faction behind your prospective purge already wanted you out and they are simply using the nominal reason given as an excuse to get rid of you. [....]

3.Do not apologize! They will press you hard for an apology and repeatedly imply that if you will just apologize, all will be forgiven. Don't be fooled! They are simply looking for a public confession that will confirm their accusations, give them PR cover, and provide them with the necessary ammunition to expel you. Apologizing does nothing more than hand them the very weapon they are seeking.
Well worth the read given that these days you never know when you may find your reputation and your livelihood being sacrificed to the great gods Diversity and Tolerance. So it goes in what passes for 21st Century America.
Saturday, April 26th 2014
Posted Sat Apr 26 2014 11:12
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The blog post below links to an article by James Jay Carafano on the 10 movies which, for him, define the Cold War. Any list of this nature is inherently personal but since I've been working on a post touching on conservative/libertarian themes in movies, I was a little surprised to see omitted from Jim's list the movie which, for me, defines the Cold War: The Hunt for Red October.


I was not a Tom Clancy fan during the 80s. I was too young to appreciate his genius. This movie adaptation of his debut novel introduced me to the rest of his body of work, and I was blown away. As a young Army officer I read Red Storm Rising in awe of Clancy's ability to fictionalize what we referred to as the "Fulda Gap" scenario - which by the time I read it following the fall of the Berlin Wall, was obsolete.


While the movie doesn't directly depict the hardships of living in Soviet Russia, it's premise - officers of a Soviet nuclear submarine plan to defect to the United States - hints at just how bad their lives were. The interplay between Sean Connery's character and the submarine's Political Officer also gives the audience a glimpse of just how repressive the Soviet government was. And Sam Neill's surprise that in the US he will be allowed to drive "state to state" with no papers hints at a reality Americans cannot fully understand.


Clancy didn't write "message fiction" - he would have been much less popular if he had. He did write insightfully about reality and it was this reality which made the story so compelling.


This movie also introduced me to Alec Baldwin, who is wonderful in the film. I learned much later that he is bat-crap crazy, but watching his performance here you realize why he is a star.


The other movie I would have included is a Clint Eastwood flick, Firefox. It wasn't a critical success and didn't make much at the box office, but it's depiction of life in the Soviet Union was very compelling. It also offered a haunting portrait of three Jewish scientists willing to give their lives to thwart their Communist oppressor's military plans. And Warren Clarke's portrayal of Pavel Upenskoy in the film was brilliant.


The special effects don't hold up well 30 years later, but Eastwood is great and there are quite a few still quotable lines, including this one from Dr. Baranovich:


Mr. Gant, you are an American. You are a free man. I am not. There is a difference. If I resent the men in London who are ordering my death, then it is a small thing when compared with my resentment of the KGB.

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